Nadia Niaz is a writer, editor and academic ‘from’ Melbourne via Pakistan and many other places. She has a PhD in Creative Writing and Cultural studies and has taught poetry and creative writing to everyone from pre-schoolers to postgraduates.
Nadia is the founder and editor of the Australia Council-funded Australian Multilingual Writing Project, an online journal publishing creative writing that mixes two or more languages. Nadia writes and performs poetry that explores questions of identity, belonging, and language. Her book, The Djinn Hunters, is available from Rabbit.
Nadia enjoys working collaboratively with other poets and artists and is committed to creating opportunities for emerging writers in Australia.
Major projects & commissions
The Djinn Hunters, Rabbit Poets Series No. 19, Rabbit Poetry Journal, Melbourne, 2023
Featured Poet in Poetry in the City of Literature showcase, Melbourne City of Literature 2023
Editing The Circular, Issue 33, Sydney Review of Books, 2022
Editor for City of Greater Dandenong’s HOME Exhibition 2020
Writer for Melbourne City of Literature’s ‘Summer in the City of Literature’ series 2020
Editor and founder of the Australian Multilingual Writing Project, online journal of multilingual writing
Curated Australian Multilingual Writing Project Showcase at Generations Festival at Immigration Museum, hosted by Multicultural Arts Victoria, October 26, 2019
Curated a special issue of the AMWP for Emerging Writers Festival Digital Stream
Featured writer for these words exhibition at Kings Artist-Run gallery, June 1-22 2019
Commissioned poet for the University of Melbourne Body Donor Program Annual Commemorative Thanksgiving Service, October 2017
Translation of seven poems from English into Urdu for One in Three: Poetry Corners print publication, supported by the Hume City Council, March 8, 2017
‘My Australias’, research-based practice (poetry), presented at the InASA Conference: Reimagining Australia, Fremantle, December 2016
Poetry
The Djinn Hunters, Rabbit Poets Series No. 19, Rabbit Poetry Journal, Melbourne, 2023
‘August in Lahore’, poem (reprint), Not Very Quiet: The Anthology, Recent Work Press, 2021
‘To Catch a Djinn: A ghazal for my Dadi and her sisters’, Usawa Literary Review, Issue 3, 2020
‘Fire Ghazal’ and ‘Summer Gestures Towards a Ghazal’, Summer in the City of Literature, Melbourne City of Literature 2020
‘I sing’, poem, in The Polyglot Issue 5: Unfaithful, November 2019
‘August in Lahore’, poem, in Not Very Quiet Issue 4: Performing Gender, March 2019
‘A Map of Mothers’ poem, in Rabbit Poetry Journal 26: Belonging, December 2018
‘Handi’, poem in Pencilled-In 3, June 2018
‘My Grandmother’s Language’, poem, in Peril 31: I Can’t Speak to You, August 2017
‘White Fright’, poem, in The Sum Times, Summer 2016
‘Eid is Another Country’, poem, in Offset Arts Journal, Victoria University, October 2016
‘The Compliment’, poem, in tremble, the University of Canberra Vice-Chancellor’s International Poetry Prize anthology (longlist), September 2016
‘Living Space’ (poem), April/May 2008, in Strange 4
‘Stargazing’ (poem) Spring 2005 in the Alhamra Literary Review, Issue 1
Reviews & prose
Review of Michelle Cahill’s The Herring Lass, in Mascara Literary Review, Issue 20, April 2017
Review Short: Elif Sezen’s Universal Mother, in Cordite Poetry Review, 03 April 2017
Review Short: Ken Canning/Burraga Gutya’s Yimbama, in Cordite Poetry Review, 20 July 2015
Review of David Brooks’s Open House in Mascara Literary Review Issue 17, April 2015
‘The Wandering Writer’, book review for TEXT: Journal of Writing and Writing Courses, Vol 18, No 2, October 2014
‘A Layer of Cloth’ (short story), April/May 2008, in Strange 4
Performances & panels
Emerging Writers Festival x Australian Multilingual Writing Project: Spillways, a showcase of multilingual writing, 2023
The South Asian Australian Table, panel, Australian Muslim Writers Festival, 2022
Lunchtime Literature: Language and Writing, panel host, Emerging Writers Festival 2022
Kindness Symposium Panel: Languages, Cultures and Communities, LaTrobe University, 2021
‘Beginnings/Endings’, Spoken Word, Midsumma, Hares & Hyenas, January 2020
University of Melbourne delegate to Irrawaddy Literary Festival, Mandalay, Myanmar, November 6-12, 2019
WWG x WrICE pairing on process with poet Saaro Umar at West Writers Forum, Melbourne Writers Festival, September 1, 2019
EWF National Writers Conference panel on ‘Multilingual Writing’, June 2019
‘Synthetic Heat’ Winter Reading Series, April 2019
‘Love Letters to Feminism’ closing event, March 2019
‘Rapid Fire’, Midsumma, January 2019
‘Black & White – Clichés & Expectations: A Rebellion’, Spoken Word, Midsumma, January 2019
‘West Writers: In Parallel Universes’, Melbourne International Writers Festival, August 2018
Host, ‘What is Multilingual Writing?’, West Writers Forum, Footscray Community Arts Centre, July 2018
‘Suno/Listen’ performance at Late Night Lit: Collisions, Emerging Writers Festival, 2017
‘Border Dwellers and Forked Tongues’ reading at Wild Tongue: Feminist Readings and Zine Launch, as part of the Melbourne Fringe Festival, 28 September 2016
Panelist, Wilder Beasts: The Global Scary and Supernatural, The Wheeler Centre, Melbourne, September 13, 2016
Reading from Something Real draft novel at The Next Big Thing: Hot Desk Edition (September), The Wheeler Centre, September 12, 2016
Panelist, ‘Lost or Found in Translation?’, at the Footscray Community Arts Centre’s West Writers Forum: Our Stories, 30 July 2016
Narration
‘Ulissa’ by Craig DeLancey, 676, April 2019
‘The Sixes, The Wisdom, and the Wasp’ by EJ Delaney, 612, January 2018
‘All the Fishes, Singing’ by Hester J Rook 566: Artemis Rising, March 2019
‘When Shadow Confronts Sun’ by Farah Naz Rishi, 526, June 2018
‘Propagating Poenies’ by Suzan Palumbo, 515: Artemis Rising March 2018
‘Gaps of Joy and a Knot for Love,’ by SB Divya, 436: Flash Fiction Extravaganza! Elements, October 4, 2016
‘La Héron’, by Charlotte Ashley, 431, August 30, 2016
‘For Honor, For Waste’ by Setsu Uzume, 412, April 19, 2016