‘Love and Justice’ Women’s Anthem

There are two things (so far) that I wish my mother had been alive to see, read or experience: the last few Harry Potter books and the following performance of ‘Love and Justice’ which was composed by Kavisha Mazzella and sung by over 400 women of Victoria late last year:

I get a shiver down my spine every time I listen to it.

The anthem was commissioned by the Victorian Women’s Trust to celebrate the centenary of women’s suffrage in Australia and was performed at the BMW Edge auditorium at Federation Square in Melbourne. For more on the anthem, check out the ABC News’ coverage of it.

Also check out Mazzella’s MySpace page which features more of her awesome music.

Ten Years of the LUMS Music Society

In early 1999, while I was a senior at the Lahore University of Management Sciences (LUMS), we were planning for the annual student variety show called ‘So?’. Now the ‘So?’ is organized jointly by the all the student clubs who want to participate and, being president of Alpha Hour, I was a part of that year’s organizing committee. [I also co-wrote ‘Zahoor: A Musical’ – Dr. Zahoor being our Associate Dean at the time – that some of my classmate and I performed there but that’s another story.]

A lot of the performances at the ‘So?’ were musical ones. Indeed, we started the show with a song from Jahanzeb and Adil Sherwani, had lots of Ali Hamza in the middle, and even ended the night with the hugely popular cover of The Strings’ ‘Sar Kiye Ye Pahar’ as performed by Saad Ansari, Sameer Anees, Jahanzeb Sherwani, and Adil Sherwani.

It was around this time that we all realized that LUMS needed an official music society and so we encouraged the musicians who had performed at the ‘So?’ to start one. That’s what Saad, Jahanzeb, and Ali Hamza did and thus the LUMS Music Society was born.

Fast-Forward to the Present

The Music Society has come a long way since then: They now have their own fully-equipped recording studio (as opposed to the single room next to the gym that we started out with) and they organize all sorts of musical events, some of which you can check out on their YouTube Channel. Also visit their Facebook Group page for event listings, photographs, and discussions.

This year they’re celebrating their ten-year anniversary with a music conference on 9 May and a big concert featuring the likes of Noori, eP, Laal, and Aunty Disco Project on the 10th. They’ll also be launching their official website at that time.

10th Anniversary of the LUMS Music Society

My Association with the Music Society

I owe a lot to the LUMS Music Society because it was through them that I learnt how to play the drums and it was at their launch concert (called ‘The Jig’) in early 2000 that I first performed in front of an audience as a drummer. I even have a recording of the very first song I played at that concert (‘Zombie’ by The Cranberries) with Mehreen on vocals, Vex on bass, and Saad on lead. Yes, it’s terrible of me but I’ve forgotten who was on rhythm guitar.

Even though the actual performance of that song is mostly a blur, I remember that I started out too fast and was mimed to slow down by Jahanzeb who was sitting in the audience. I also made one major error – a hand-spaz miss-hit on the snare drum – that, not only did no one there notice, you can’t even hear it on the audio recording so it obviously wasn’t as big a mistake as I thought it was. I performed in two more songs during that show – Pink Floyd and Alanis Morissette covers, no less – the latter of which was on the bongos which were also new to me at the time.

A few months later, I performed at their first proper, on-stage concert (called ‘It’) in the central courtyard. This time I was on the drums (‘Dosti’ by Nazia and Zoheb), tambourine (‘Smooth’ by Santana and Rob Thomas), and bongos (‘Those Were the Days’ by Mary Hopkin). Later in the year I travelled from Islamabad to Lahore to specifically attend their first big concert (called ‘The Show’) which featured a professional sound system and hired musical instruments. They could afford all this now that they were officially sponsored by LUMS. I last checked-in on them in 2003 when I went to guest lecture at LUMS and they’d already grown quite a bit. Now, of course, they’re the largest club at the University.

In spite of all that, my strongest memory of the Music Society is still that of me, Ali Hamza and Saad packed into a hot, stuffy jam room as we rehearsed a rock version of Nazia and Zoheb’s ‘Dosti’. I used to have a recording of that performance as well but I seem to have lost it along the way, which is sad. That was the first time I came up with my own drum beat to a song (yes, we really changed it around from the original) and I remember being proud of myself for that because I’d grown quite a bit as a musician over those few months.

To Conclude

It’s been ten years since I graduated from LUMS and ten years since the Music Society was formed. Unfortunately, I’ll be missing both my reunion and the 10th anniversary concert because I’m going to be in Australia during both events. That sucks, I know, but I will be there in spirit. And, at the very least, I do get to blog about it and encourage other people to be there on my behalf. Here’s hoping some of you manage to do so.

Tim Minchin Performs ‘Storm’

Let me move beyond my introductory blog posts on skepticism and hand you over to Tim Minchin performing his brilliant 9-minute long beat-poem ‘Storm’ (audio only):

Enjoy :)

Moby’s New Album & First Single

Moby has just announced that his upcoming album will be called ‘Wait for Me’ and that it will be released (presumably in the US) on 30 June.

He has also released his first single (and accompanying video), called ‘Shot in the Back of the Head’, on Pitchfork:

Awesome :)

UPDATE: You can now download this single from Moby’s website!

Sound of Music Sing-a-long-a in Melbourne

The Sound of Music sing-a-long-a is back in Melbourne this year. It’s on 15 and 16 May at the Hamer Hall (tickets from Ticketmaster, details on the Sing-A-Long-A website) and I would love to attend but I’m not sure if I’ll be able to (it’s expensive!). Besides, it won’t be as much fun without, say, either of my sisters going with me. Still, I’ll see if I can make it.

Meanwhile, have you seen this bit of Sound of Music awesomeness? It’s an Improv Everywhere type of flash mob performance of ‘Do-Re-Me’ at the central train station in Antwerp, Belgium:

Brilliant, isn’t it?  Or should I say “Charming. Quite charming.” :)

Music from the Watchmen Film

I’ve seen the ‘Watchmen’ movie twice now, and though I really like the movie itself, what stands out, for me at least, is they way they used music throughout the film; particularly in transition scenes and montages.

[WARNING: Possible spoilers, especially if you haven’t already read the graphic novel]

The musical good-ness starts with the opening credits that feature Bob Dylan’s ‘The Times They Are A-Changin’’. This was a really neat way to start the film as this montage is our introduction to the parallel reality that the movie is set in (I particularly liked the bit where Silhouette replaces the sailor in Eisenstaedt’s famous ‘V-J Day in Times Square’ photo).

The two most memorable uses of music, however, are the cold war era protest song ‘99 Luftballons’ by Nena that gets played at the start of the Daniel Dreiberg and Laurie Jupiter dinner scene and use of Simon & Garfunkel’s ‘The Sound of Silence’ for The Comedian’s funeral. Awesome stuff, particularly the entire funeral scene. Also memorable, but more because of it’s unusual placement, is the use of Leonard Cohen’s ‘Hallelujah’ during the Nite Owl and Silk Spectre sex scene.

Then there are the more energetic songs that are used at appropriate points. These include ‘All Along the Watchtower’ performed Jimi Hendrix (but, of course, written by Bob Dylan), ‘Desolation Row’ as performed by My Chemical Romance (also originally by Bob Dylan), and ‘Ride of the Valkyries’ as performed the Budapest Symphony Orchestra (which is a nod to the helicopter attack scene from ‘Apocalypse Now’). Oh, and if you stay for the credits you’ll also get to hear Leonard Cohen’s ‘First We’ll Take Manhattan’.

Finally there’s the brilliant use of a muzak version of ‘Everybody Wants to Rule the World’ by Tears for Fears that is played in the reception area outside Adrian Veidt’s office.

[End spoilers]

Actually, come to think of it, the good use of awesome music started months ago with the Smashing Pumpkin’s ‘The Beginning is the End is the Beginning’ being used for one of the film’s trailers.

Anyway, if you haven’t yet seen the film I suggest you do because it really is quite good. One thing, though: do keep in mind that this is not your typical, happy-ending superhero film. It’s a dark, dismal, serious movie – darker than what Batman films are supposed to be – and if you don’t go into the cinema expecting that, you probably won’t enjoy it as much.

[For more on the music used throughout the film, check out the Reel Soundtrack Blog’s feature on the Watchmen Soundtrack or the film’s Wikipedia page.]

U2 Live at the Brit Awards

U2 performing ‘Get on Your Boots’ at the Brit Awards 2009:

Awesome.

Axis of awesome – 4 Chords

If you haven’t already seen this, make sure you check out Axis of Awesome’s song ‘4 Chords’:

:)

New U2 Single – ‘Get Your Boots On’

Want to hear the first single from U2’s upcoming album ‘No Line on the Horizon’? :)

The album will be launched in the US on 3 March. [Via E!Online]

End-of-Year Video Mash-ups

Two for movies (via /Film: here and here):

And one for music:

Good stuff…and here’s to an equally awesome 2009.