My Thoughts on ‘Avatar’

I saw James Cameron’s ‘Avatar’ last week and I liked it.

The Cinematic Experience

I liked it because it was entertaining, immersive, and beautifully shot. I loved the 3-D effects and did, eventually, get used to wearing the 3-D glasses for that long a time (once I figured out how best to place them on my nose in relation to the glasses that I already wear).

I also liked the way in which future technology and space travel were depicted. Though, funnily enough, future bulldozers make the same beeping noises that present-day ones do :)

Of course, Pandora was gorgeous and I really appreciated the depth of detail that Weta Digital and ILM went into when creating that world.

The Story

The story was pretty good, too. Though, as you would expect, it had issues.

Speaking of those issues, there are a number of lenses you can use to analyze both the basic plot and actual storyline of the film. And lots of people have, indeed, reviewed and analyzed the film extensively (see links to my favourite reviews/discussions at the end). The lenses they have used include race, colonialism, gender, the role of the military/militia in broader society, military strategy, the role of scientists/sociologists in broader society, capitalism/anti-corporatism, and disability.

What’s particularly interesting about these reviews is that everyone comes at the story from a different point of view. For example, I’ve found that many American reviewers and bloggers see parallels between the film’s story and what happened to the indigenous peoples of North America during European colonization. Non-Americans, meanwhile, talk about that as well as other colonialist movements from around the world.

I think that’s a testament to the screenwriters (and Dr Paul Frommer, who created the Na’vi language) because the situation presented in the film can reference any number of real situations from human history from around the world.

That said, the basic plot itself isn’t very original. And if you read ‘The Evolution of ‘Avatar’’ on the Reappropriate blog you’ll see how this film’s plot is somewhat similar to the plots of ‘Dances with Wolves’ and ‘The Last Samurai’.

Still, it’s an important story to tell and I think it was told quite well. For more, read the reviews I’ve linked-to below.

Overall, I’d give the movie a 9 out of 10 – both for its awesome cinematography & visual effects and for its timing & relevance-of-story to our present-day socio-political world. Oh, and also for Sigourney Weaver and the kick-ass character she plays in the film :)

Reviews Worth Reading

‘UPular’ – A Most Happy-Making Song

Pogo, the Perth-based electronic musician, recently released his latest song ‘UPular’, which is “composed using chords, bass notes and vocal samples from the Disney Pixar film ‘Up’”.

It’s awesome and I can’t stop listening to it over and over again!

 

More about Pogo:

More Reviews from The Spoony Experiment: District 9, Transformers II

I discovered The Spoony Experiment thanks to Noah Antwiler’s review on ‘New Moon’ and, since then, have watched a few more of his reviews.

Here are some of my favourites (out of the ones I’ve watched so far):

District 9

For someone who hasn’t experienced racism and can’t quite relate to everything that’s going on in ‘District 9’, I thought Antwiler made a really good attempt to understand the politics, thoughts, and emotions behind the film. Oh, and his review was really good, too.

Transformer: Revenge of the Fallen

I really didn’t like ‘Transformers: Revenge of the Fallen’. And, though I haven’t watched the whole of this review yet, I don’t Noah liked it much either.

Movie Reviews from Around the Web: Twilight, 2012

I have a few movie reviews to share.

2012

I recently watched Roland Emmerich’s latest disaster movie, ‘2012’ and quite enjoyed it. My favourite reviews thus far have been:

Twilight: New Moon

Now I am considering watching the film adaptation of Stephanie Meyer’s second book from the Twilight series, ‘New Moon’.

However, these reviews are making me think twice (FYI: the second review is a lot shorter):

So I’ll probably will till it comes on pay-per-view cable next year.

Speaking more generally about the Twilight books, you really should watch/read the following:

District 9 is Awesome

Over the weekend Nadia and I watched Neill Blomkamp’s debut full-length feature film, District 9.

It’s a powerful and (sometimes) difficult movie to watch but it’s certainly worth the effort. And while there is lots that I can say about it, a number of others have already said it better, so I’m just going to recommend you read the following (all of which, unfortunately, have some spoilers):

What I will say, however, is that I seriously recommend you go watch it. It’s the best movie I’ve seen all year.

Oh, and for more general information about the film, check out its:

The Onion Reviews ‘Star Trek’

I haven’t watched the new Star Trek film yet (I’ll be watching it at the IMAX next week) but here’s a review from the Onion News Network:


Trekkies Bash New Star Trek Film As ‘Fun, Watchable’

:)

10 Most Influential Films of the Last 10 Years

/Film’s Brendon Connelly has come up with a list of the ten most influential (English language) films of the last ten years. Read the blog post for the reasons why these particular films have been included but the list itself is as follows:

  • Sky Captain and the World of Tomorrow
  • The Bourne Ultimatum
  • Traffic
  • My Big Fat Greek Wedding
  • Polar Express
  • Rushmore
  • The Matrix
  • Children of Men
  • The 40 Year Old Virgin
  • Coraline

Connelly does admit, however, that the list is skewed towards the technical side of film-making and storytelling.

I would agree with some of the commenters, however, that the Lord of the Rings trilogy should have been included. I’d say that’s partly for the number and scale of special effects used but mainly for, for the first time, producing three films concurrently!

The discussion in the comments is quite lively, by the way, so make sure you check that out as well.

Sound of Music Sing-a-long-a in Melbourne

The Sound of Music sing-a-long-a is back in Melbourne this year. It’s on 15 and 16 May at the Hamer Hall (tickets from Ticketmaster, details on the Sing-A-Long-A website) and I would love to attend but I’m not sure if I’ll be able to (it’s expensive!). Besides, it won’t be as much fun without, say, either of my sisters going with me. Still, I’ll see if I can make it.

Meanwhile, have you seen this bit of Sound of Music awesomeness? It’s an Improv Everywhere type of flash mob performance of ‘Do-Re-Me’ at the central train station in Antwerp, Belgium:

Brilliant, isn’t it?  Or should I say “Charming. Quite charming.” :)

Science in Film & Television

USA Today’s Dan Vergano has written a good article, called ‘TV, Films Boldly Go Down Scientific Path’, on how film makers and television producers are making an effort to get the science that they put into their films and TV shows to be as accurate – or at least as internally logically consistent – as possible.

Naturally, what you’ll see in films and television shows isn’t practical science because real, practical science is long and arduous and sometimes boring. Films and TV shows, meanwhile, are entertainment so at the most you’ll get a montage of a scientist (or a team of scientists) hard at work. And these montages will range from the suit-construction-in-the-cave montage from Iron Man to the working-by-the-window-as-the-seasons-change montage from A Beautiful Mind to the evidence-collecting-and-processing montages that you see on CSI all the time.

On most films and TV shows, though, the actual scientific process gets skipped and you only get to hear the results (e.g. “the lab tests are in”, “forensics has shown”, and so on). Unless, of course, the scientific investigative process itself is part of the storyline like it is on shows like CSI, Numb3rs, Lie to Me, and House – all of which feature real science with only a few liberties taken to make the plot more interesting. All four of those are awesome shows, by the way.

Anyway, Vergano has written a good article and I highly recommend you read it. It even quotes Phil Plait! :)

Music from the Watchmen Film

I’ve seen the ‘Watchmen’ movie twice now, and though I really like the movie itself, what stands out, for me at least, is they way they used music throughout the film; particularly in transition scenes and montages.

[WARNING: Possible spoilers, especially if you haven’t already read the graphic novel]

The musical good-ness starts with the opening credits that feature Bob Dylan’s ‘The Times They Are A-Changin’’. This was a really neat way to start the film as this montage is our introduction to the parallel reality that the movie is set in (I particularly liked the bit where Silhouette replaces the sailor in Eisenstaedt’s famous ‘V-J Day in Times Square’ photo).

The two most memorable uses of music, however, are the cold war era protest song ‘99 Luftballons’ by Nena that gets played at the start of the Daniel Dreiberg and Laurie Jupiter dinner scene and use of Simon & Garfunkel’s ‘The Sound of Silence’ for The Comedian’s funeral. Awesome stuff, particularly the entire funeral scene. Also memorable, but more because of it’s unusual placement, is the use of Leonard Cohen’s ‘Hallelujah’ during the Nite Owl and Silk Spectre sex scene.

Then there are the more energetic songs that are used at appropriate points. These include ‘All Along the Watchtower’ performed Jimi Hendrix (but, of course, written by Bob Dylan), ‘Desolation Row’ as performed by My Chemical Romance (also originally by Bob Dylan), and ‘Ride of the Valkyries’ as performed the Budapest Symphony Orchestra (which is a nod to the helicopter attack scene from ‘Apocalypse Now’). Oh, and if you stay for the credits you’ll also get to hear Leonard Cohen’s ‘First We’ll Take Manhattan’.

Finally there’s the brilliant use of a muzak version of ‘Everybody Wants to Rule the World’ by Tears for Fears that is played in the reception area outside Adrian Veidt’s office.

[End spoilers]

Actually, come to think of it, the good use of awesome music started months ago with the Smashing Pumpkin’s ‘The Beginning is the End is the Beginning’ being used for one of the film’s trailers.

Anyway, if you haven’t yet seen the film I suggest you do because it really is quite good. One thing, though: do keep in mind that this is not your typical, happy-ending superhero film. It’s a dark, dismal, serious movie – darker than what Batman films are supposed to be – and if you don’t go into the cinema expecting that, you probably won’t enjoy it as much.

[For more on the music used throughout the film, check out the Reel Soundtrack Blog’s feature on the Watchmen Soundtrack or the film’s Wikipedia page.]